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How I See My Art

Author: Jeni Niquette

Do you see what I see?

Tap or click here to see this item in my Etsy shop.

I've been thinking about how others perceive my art, and I realized I'm not telling the full story why I do what I do. 


Making art feels good. My process is experimental and intuitive, beginning before I even pull out my supplies or set pencil to paper. Like a chemist, I spend time imagining how I can innovate and combine new materials I haven't tried before, to get new unexpected visual experiences. What if I mixed spirograph patterns with pearlescent watercolors? What if I glued glass eyes on my character drawings? What if I glued rhinestones onto holographic sparkle lamination? 


Making art feels good, but it's not just the process that motivates me. All of my art begins as an internal daydream and ends as a physical product. And then there's more.

The lifecycle of my art

My art comes into being through a very specific (and lengthy) sequence:


  1. A daydream of unexpected media combinations
  2. Materials heaped in a pile on my desk
  3. An imagined drawing on a white paper surface
  4. A pencil sketch to capture proportions and composition
  5. A splash of watercolors or a stroke of vibrant alcohol markers
  6. Lovingly placed, delicate pencil or ink details
  7. Selecting the right holographic lamination pattern
  8. Mounting the art on a sturdy card of wood
  9. Scoring the surface and applying glass rhinestones in a pattern that compliments the base design (and feeling like a *jeweler*)
  10. Titling, dating, and signing the back
  11. Staring at the finished piece
  12. Moving to better lighting to admire it
  13. STARING MORE
  14. Holding it as close to my eyes as I can
  15. Rotating it, waving it, shining a flashlight on it
  16. Maybe try a green laser light, too
  17. STARING LIKE MY STARVING EYES ARE EATING IT
  18. Thinking maybe this belongs in my personal collection?
  19. Thinking nope, I want this one out there.
  20. WHERE IS MY EYE LOUPE?
  21. Putting it in a special box for storage
  22. NOPE, PULLING IT BACK OUT AND STARING AT IT IN DAYLIGHT


Um, this continues, but I think you get it. I'm motivated by process AND perception.


I want you to see what I see

But I can't tell the story of my art by just taking a picture of it. So I'm taking it cinematic. To do this, I have finally married several of my creative passions together with my art: Macro filming, video editing, lighting, music composition, and sound design. In my experience of my own art, I don't just glance at it and move on. I get right in its face and admire:


  • How the light glows and lights up the resin bubbles,
  • How the paint sits on the toothy surface of the paper,
  • How the vibrant colors visually heighten one another,
  • How various light sources interact with the sparkling elements, and
  • How those sparkles look when I blur my eyes.


As a person who visually stims, these observations give me overwhelming delight. I'm not ashamed to say I'm obsessed with how my art sparkles. And my perception is the part of my story that I haven't yet told. It'll take some experimenting, but I'm going to get better at showing others how my art is intended to be experienced.


With this in mind, here's my first attempt to tell the story of my art: https://youtube.com/shorts/6edeiw1Sjgs?feature=share


When you buy my art, please consider looking at it under different light sources, with different movements, using your naked eyes or any manner of magnification lens. Then you'll see what I hoped you'd see when I made it. ♥︎


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